Abri Blanchard à Sergeac

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Photo du Monument Historique Abri Blanchard situé à Sergeac

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Adresse renseignée dans la base Mérimée :
24290 Sergeac - France

Code Insee de la commune : 24531
Dordogne [24] - Périgueux - Aquitaine - Nouvelle-Aquitaine

Adresse approximative issue des coordonnées GPS (latitude et longitude) :
1 Cst Merle 24290 Sergeac

Eléments protégés :
Abri Blanchard (cad. C 485) : classement par arrêté du 24 août 1931

Périodes de construction :
Paléolithique supérieur

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Autres photographies :

Abri Blanchard - Français : Fouilles au pied de l'abri Blanchard I, site préhistorique sur la commune de Sergeac, dans le vallon de Castel Merle, Dordogne, France.

Abri Blanchard - Français : Fouilles au pied de l'abri Blanchard I, site préhistorique sur la commune de Sergeac, dans le vallon de Castel Merle, Dordogne, France.

Abri Blanchard - Français : L'abri Blanchard I (à gauche) et l'abri Castanet (sur la droite), sites préhistoriques sur la commune de Sergeac, dans le vallon de Castel Merle, Dordogne, France.

Abri Blanchard - Français : L'abri Blanchard I, site préhistorique sur la commune de Sergeac, dans le vallon de Castel Merle, Dordogne, France.

Abri Blanchard - Français : L'abri Blanchard I, site préhistorique sur la commune de Sergeac, dans le vallon de Castel Merle, Dordogne, France.

Abri Blanchard - English:

Title: The American Museum journal
Identifier: americanmuseumjo14amer (find matches)
Year: c1900-(1918) (c190s)
Authors: American Museum of Natural History
Subjects: Natural history
Publisher: New York : American Museum of Natural History
Contributing Library: American Museum of Natural History Library
Digitizing Sponsor: Biodiversity Heritage Library

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The American Museum contains these tallies or marques de chasses fromAbri Blanchard (Dordogne) representing the Middle Aurignacian Epoch, interpreted as records made by Aurignacian hunters We can thus picture the cHmatic condi- tions that attended the birth of Quater- nary art in western and central Europe; and climate is no mean factor in the environment of primitive man. Among other things it determines the character of the fauna and thus has a bearing on the fundamental problems of food-get- ting as well as defense. Upper Quaternary fauna may be reconstructed from the fossil remains associated with human cultural remains; 230 it is also reflected in the art of the time. Judging from both these sources one arrives at the conclusion that Aurigna- cians and Solutreans were contempo- raries of an Equus fauna with the horse predominating, the mammoth still abun- dant, the bison also plentiful, and the reindeer gaining in prominence. The horse and reindeer were dominant in the Magdalenian. Bos primigenius plays a secondary role in the art of the time and is not conspicuous for its fossil

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Abri Blanchard - English:

Title: The American Museum journal
Identifier: americanmuseumjo14amer (find matches)
Year: c1900-(1918) (c190s)
Authors: American Museum of Natural History
Subjects: Natural history
Publisher: New York : American Museum of Natural History
Contributing Library: American Museum of Natural History Library
Digitizing Sponsor: Biodiversity Heritage Library

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PALEOLITHIC ART IN THE AMERICAN MUSEUM 231 remains. On the other hand the one station of Solutre (Saone-et-Loire) has furnished skeletal remains of no less than one hundred thousand horses. Moreover in an inventory of Quaternary art the horse leads all with the possible exception of the bison. We are therefore justified in assuming that the steak of horse and bison, and not our indispensa- ble beef steak, was the piece de resistance at all well-regulated palaeolithic feasts. A short distance below Sergeac (Dor- dogne) on the left bank of the Vezere is a picturesque little valley cut in the limestone formation by a small brook, Ruisseau des Roches, tributary to the Vezere. This valley is flanked by shelters that have crumbled away until there is now little if any overhang left to the rocks, the entire group being referred to as Station des Roches. Several of these shelters were inhabited by palaeolithic man. This region had been partially ex-
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Perforated teeth from the Abri Blanchard (Dordogne), of the Middle Aurignacian Epoch. Exca- vated caverns and rock-shelters yield large numbers of perforated teeth of the cave bear, lion and rein- deer, proving the love of adornment of the Aurignacian people

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$Abri Blanchard - English: Title: The American Museum journal Identifier: americanmuseumjo14amer (find matches) Year: c1900-(1918) (c190s) Authors: American Museum of Natural History Subjects: Natural history Publisher: New York : American Museum of Natural History Contributing Library: American Museum of Natural History Library Digitizing Sponsor: Biodiversity Heritage Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: 232 THE AMERICAN MUSEUM JOURNAL plored by several prehistorians, includ- ing M. Reverdit (more than thirty years ago) and the Abbe Landesque. Recently M. L. Didon, proprietor of the Grand Hotel du Commerce et des Postes at Perigueux, took leases on some of the more promising shelters and began exca- vations. The excavations at the Abri Blanchard des Roches, a station rep- resenting the Middle Aurignacian Epoch, had been practically completed before our visit and a papsr ^ published on the the valley and within but little more than a stone's throw is the Abri Blanch- ard des Roches, from which likewise the New York museum secured a col- lection. When one comes to weigh the various elements in Aurignacian culture and compare them with Mousterian culture the differences are at once seen to be as great as the physical differences that separate Homo neandertalensis from the Aurignacian races. The change from Text Appearing After Image: Perforated shells used for personal adornment from the Abri Blanchard (Dordogne) of the Middle Aurignacian Epoch results. Station No. 2 des Roches de Sergeac, belonging to the upper Aurig- nacian epoch had been partially explored by M. Didon who found there not only the large engraved figure of a horse but also many industrial remains of which the American Museum obtained the greater part. These objects were found halfway up the sloping hillside under a thick coating of talus that once formed the overhanging rock. Diagonally across 1L. Didon in Bull. Soc. Hist, et Archgologique du Perigord P6rigueux, 1911. lower palaeolithic to upper palaeolithic is so great as to mark in all probability the invasion of a superior race with more advanced culture standards. This new race colonized practically the whole of the Mediterranean coast, African as well as European. The Aurignacians might have come from x\frica. One can scarcely think of an oriental origin, for early Aurignacian culture has not as yet been found in Eastern Europe, as pointed out by Breuil. Lithically the Aurignacian was the Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.$ $Abri Blanchard - English: Title: The American Museum journal Identifier: americanmuseumjo14amer (find matches) Year: c1900-(1918) (c190s) Authors: American Museum of Natural History Subjects: Natural history Publisher: New York : American Museum of Natural History Contributing Library: American Museum of Natural History Library Digitizing Sponsor: Biodiversity Heritage Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: PALEOLITHIC ART IN THE AMERICAN MUSEUM 233 epoch of the evolution of the bladeUke flint flake, with its diversity of marginal retouches. In the lower levels the blades are large and thick with marginal notchings. Large, rude carenate scrap- ers appear, likewise the lateral type of graver, and the so-called pointe de Chdtelperron. Bone industry develops, the bone point with or without cleft base being the best known (page 226). Sculpture is developed to a considerable extent, the female figurines from Bras- sempouy being examples. In the middle horizons the carenate scrapers multiply, diversify and become less bulky (page 225); the scars left by the lamellar chip- ping are long and parallel. Gravers of many types are numerous (page 227). The upper Aurignacian is charac- terized by the pointe de la Gravette (page 228), the ordi- nary graver (page 229), and a microlithic industry in which use is made of the splinters produced in the manufacture of gravers. Pedunculate points fore- shadowing the arrow head are also met with. The human figurines from Grim- aldi and \Yillendorf and the bas-reliefs from Laussel be- long to this stage. The American Museum possesses a series of records kept by Aurignacian hunt- ers, the so-called marques de chasse. Bone was gen- erally used for this purpose (page 230). The collection also bears evidence to the love of ornament so typical of the Aurignacians' in the perforated teeth of the cave bear, cave lion and rein- deer (page 231) as well as in perforated shells (page 232). One curious fragment of limestone in the collection is perforated, for what purpose it would be difficult to say (page 233). The hole is pierced near the margin and was driven in at an angle from both sides to a meeting point. The Ijlock which is heavy might well have served as a weight. Or if the hole was made before the block became detached from the overhanging rock it must be con- sidered as a point of suspension. Didon found a number of such perforated blocks of stone. The principal piece in the New York collection is an engraved figure of a horse on a limestone slab, that was found in a deposit of upper Aurignacian age at rock-shelter No. 2 des Roches-de- Sergeac (page 236). This figure, about Text Appearing After Image: Large fragment of limestone from Abri Blanchard (Dordogne). The artificial perforation is driven in at an angle from both sides to a meeting point, and the purpose is difficult to guess. The stone is heavy enough to have served as a weight Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.$

Abri Blanchard - English:

Title: The American Museum journal
Identifier: americanmuseumjo14amer (find matches)
Year: c1900-(1918) (c190s)
Authors: American Museum of Natural History
Subjects: Natural history
Publisher: New York : American Museum of Natural History
Contributing Library: American Museum of Natural History Library
Digitizing Sponsor: Biodiversity Heritage Library

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PALEOLITHIC ART IN THE AMERICAN MUSEUM 237 suggested by an incised line. Its direc- tion, neither forward nor backward, and the general attitude of the figure sug- gest repose. The length from ear to root of tail is twenty-three millimeters. The only uncertain stroke of the graver is to be seen in the region of the throat. The numerous nearly vertical and paral- lel fine lines on the neck and back may not be of human workmanship, as similar lines are to be seen at the extreme left of the bone fragment and apparently not related to any animal figure. The figure of a second horse following at a short distance the first described, has
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been lost with the exception of the two ears. Here again the left ear is turned so as to show the opening. This speci- men represents a late phase of Mag- dalenian art. Wherever possible it has been the policy of the French Government to set aside as national monuments all caverns and rock-shelters in which are examples of palaeolithic mural art. These will ever remain galleries of prehistoric art. Only in one or two rare instances have parietal engravings or frescoes been cut from their original places. Such a step should be resorted to only when not to remove the art works would be to invite certain destruction. Where works of this nature are accessible and can be permanently protected, there is as little sense in removing them as there would be in removing the frescoes of Michelangelo from the Sistine Chapel. The museums of this coun- try are not likely ever to possess typical original ex- amples of palaeolithic mural art. The American Muse- um has acted wisely there- fore, in transferring to the walls of its hall of European prehistoric archaeology cop- ies of some notable originals from the French as well as the Spanish caverns. Probably crude graving tools; at the left from rock-shelter No. 2 des Roches-de-Sergeac; at the right from Abri Blanchard. These gravers are large and heavy enough to have served to cut deep lines in limestone as shown on the preceding page

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Abri Blanchard - English:

Title: The American Museum journal
Identifier: americanmuseumjo14amer (find matches)
Year: c1900-(1918) (c190s)
Authors: American Museum of Natural History
Subjects: Natural history
Publisher: New York : American Museum of Natural History
Contributing Library: American Museum of Natural History Library
Digitizing Sponsor: Biodiversity Heritage Library

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About This Book: Catalog Entry
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PALAEOLITHIC ART IN THE AMERICAN MUSEUM 227 epoch and call it the Aurignacian. He at first followed the lead of Lartet, the explorer of Aurignac, and placed the Aurignacian where it rightly2 belongs, but later placed it between the Solu- trean and Magdalenian, and finally dropped it altogether from his classifica- tion. Forty years ago Edouard Dupont of Brussels felt the need of an epoch not at that time provided for, which would include the culture stages represented in the caves of Montaigle and La Hastiere (Belgium) — namely, stages that are now known to be Aurignacian. It was however reserved for the Abbe H. Breuil, ably seconded b)^ Cartailhac and Rutot, to differentiate and firmly estab- lish this culture. The name Aurigna- cian was well chosen because it was from the cave of Aurignac (Haute-Garonne), that industrial remains of the type in question were first reported (by Lartet in 1863). Now one scarcely opens a cave in Europe without encountering Aurigna- cian deposits. Much of the palaeolithic mural art is likewise of Aurignacian age, proving the latter to have been the first great Quaternary art epoch. Then sculpture in the round and high relief flourished as they perhaps never did again, and the arts of engraving and of drawing in colors had their birth. A new race, the immediate ancestry of which has not yet been definitely traced, supplanted completely the archaic Neanderthal race of Mousterian times. Physically and mentally the Aurigna- cians, of which Cro-Magnon and Combe- Capelle are examples, were more nearly akin to modern European races than to the old Mousterians. Like the latter however, they were still hunters. Cave regions such as the Vezere valley favored the increase of population and a more sedentary mode of life. In time this brought in its train a scarcity of game and fish, the chief food supply. These conditions evidentlv had much to do in
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Lateral gravers from the Abri Blanchard of the Middle Aurignacian Epoch. The Aurigna- cian artists used gravers made by beveling vari- ously shaped flints

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$Abri Blanchard - English: Title: The American Museum journal Identifier: americanmuseumjo14amer (find matches) Year: c1900-(1918) (c190s) Authors: American Museum of Natural History Subjects: Natural history Publisher: New York : American Museum of Natural History Contributing Library: American Museum of Natural History Library Digitizing Sponsor: Biodiversity Heritage Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: PALEOLITHIC ART AS REPRESENTED IN THE COL- LECTIONS OF THE AMERICAN MUSEUM OF NATURAL HISTORY By George Grant MacCurdy THE specimens that form the basis Professor Henry Fairfield Osborn, presi- for this paper were collected dent of the American Museum of Natural during the summer of 1912 by History, and myself.^ They are of Text Appearing After Image: Carenate flint scrapers from the Abri Blanchard (Dordogne), Middle Aurignacian Epoch. These and many other specimens obtained by the American Museum in 1912 are representative types of Aurignacian industrial remains similar to the original specimens found in 1863 in the cave of Aurignac and now in nearly all excavations of European caves and recognized as showing A\irignacian culture 1A map of southwestern Europe showing the principal cavern regions is to be found in the Decem- ber, 1912, Journal (opp. page 280). The map accompanies an article descriptive of the motor jour- ney taken by Professor Osborn and Professor MacCurdy to European pateolithic caverns in 1912 when many valuable specimens were obtained to fill gaps in the American Museum series. The January, 1913, Journal contains a previous article by Professor MacCurdy on "Cultural Proof of Man's Antiquity." 22.5 Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.$

Abri Blanchard - English:

Title: The American Museum journal
Identifier: americanmuseumjo14amer (find matches)
Year: c1900-(1918) (c190s)
Authors: American Museum of Natural History
Subjects: Natural history
Publisher: New York : American Museum of Natural History
Contributing Library: American Museum of Natural History Library
Digitizing Sponsor: Biodiversity Heritage Library

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226 THE AMERICAN MUSEUM JOURNAL especial importance because of their bearing on the technology and art of the upper palaeolithic period, and were selected with the especial object of filling
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Bone points from the Abri Blanchard, Middle Aurignacian Epocli. The flint industry was at a Ugh stage in the Aurignacian Epoch and later de- clined as the making of implements and ornaments of bone increased serious gaps in the Museum series. Of the three great art epochs, Aurignacian, Solutrean, and Magdalenian, we were fortunate in securing an original engrav- ing from two — the first and the last. Objects of personal adornment and industrial remains, especially type speci- mens, were also collected. The chief interest however centers in the two engravings, because of the policy of the French Government to reserve for itself everj^thing in the line of palseo- Hthic art; and in this respect the Govern- ment has the support of public senti- ment. This spirit is not only easily understood, but also highly commenda- ble in view of the world-wide interest that attaches to the subject of Quater- nary art. Old masters come high; why not also the oldest masters? Each new find is reported immediately to the Paris Academy of Sciences. Some half- dozen Aurignacian engravings on mam- moth bone and on pebbles found on October 3, 1913, in the rock-shelter of La Colombiere, valley of the Ain, about thirty miles southwest of Geneva, were presented before the Paris Academy on October 20, and early in November full details of the find with illustrations were republished in New York City. The discovery at La Colombiere created unusual interest because in two instances the human form was represented. The names of the palteolithic culture stages are now almost as familiar to the general reader as are those of the geologic epochs. Gabriel de Mortillet had more to do than any other one man with building up and popularizing this system of classification. To him however, does not belong the credit for introducing into the system the term " Aurignacian" and for placing it where it belongs, viz., between the Mousterian and Solutrean epochs; although at one time he was inclined to differentiate an additional

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Abri Blanchard - English:

Title: The American Museum journal
Identifier: americanmuseumjo14amer (find matches)
Year: c1900-(1918) (c190s)
Authors: American Museum of Natural History
Subjects: Natural history
Publisher: New York : American Museum of Natural History
Contributing Library: American Museum of Natural History Library
Digitizing Sponsor: Biodiversity Heritage Library

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Flint-scrapers of upper Aurignacian Age from rock-shelter No. 2 des Roches-de-Sergeac
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Bone-polishers from the Abri Blanchard

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Abri Blanchard - English:

Title: The American Museum journal
Identifier: americanmuseumjo14amer (find matches)
Year: c1900-(1918) (c190s)
Authors: American Museum of Natural History
Subjects: Natural history
Publisher: New York : American Museum of Natural History
Contributing Library: American Museum of Natural History Library
Digitizing Sponsor: Biodiversity Heritage Library

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About This Book: Catalog Entry
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234 THE AMERICAN MUSEUM JOURNAL sixty-eight centimeters in length, is cut rather deeply into the slab, the surface of which is rough and irregular and had never been prepared in advance for the engraving. Among the tools used by Au- rignacian artists were a variety of gravers made by beveling one or both ends of a bladelike flint flake. The work here was evidently done by a larger, heavier tool than the ordinary graver, as the incisions are not only deep, but also broad. Flint tools that might well have served to do the cutting were found in the same station (page 237). The size of the tool and the irregularity of the sur- face account in some measure for the apparent crudity of the drawing, which might have been considered as belonging to an early rather than a late phase of Aurignacian engraving.
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Flint perforators of Middle Aurignacian Age. I^From Abri Blanchard des Roches (Dordogne)

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Abri Blanchard - English: Worlds Oldest Necklace

Abri Blanchard - English: Engraved and notched bone from the Aurignacian of l'abri Blanchard des Roches à Sergeac, Dordogne, photographed at the Musée d'Archeologie Nationale et Domaine, St-Germain-en-Laye

Abri Blanchard - Français : Os gravé, de signes géométriques, une série de points alignés. Abri Blanchard, Sergeac, Dordogne, v. 40000-35000 ans AP. Musée d'archéologie nationale.

Abri Blanchard -

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Fiche Mérimée : PA00082997

Dernière mise à jour de la fiche Monumentum : 2024-04-07

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