Théâtre des Arts , actuellement théatre Hébertot à Paris 17e Arrondissement

Français : La femme du boulanger 2012 avec Michel Galabru, au théâtre Hébertot de Paris.

Crédit : Gind2005

2012-05-12

Théâtre des Arts , actuellement théatre Hébertot à Paris 17e Arrondissement

Français : Théatre des Arts. le Chagrin dans le Palais de Han, drame chinois de L. Laloy, décors et costumes de René Piot, musique de G. Grovle : [affiche]

Crédit : René Piot

2023-05-01

Sous licence Creative Commons BY-SA 4.0

Théâtre des Arts , actuellement théatre Hébertot à Paris 17e Arrondissement

English: Costume for Le Chagrin dans le palais de han by René Piot Identifier: newspiritindram00cart (find matches) Title: The new spirit in drama & art Year: 1912 (1910s) Authors: Carter, Huntly Subjects: TheaterImpressionism (Art) Publisher: London : F. Palmer Contributing Library: University of California Libraries Digitizing Sponsor: Internet Archive View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: d, the window balancingthe fireplace, the furniture, etc. Even the grains of woodworkcontributed to the wonderful sense of movement. The lightingwas cleverly worked from the centre of the stage. Indeed,the lighting effects throughout were extremely ingenious,though ruined by obsolete contrivances. Rhythm andvibrating atmosphere were very cleverly got in the secondscene by means of a vast golden backcloth fretted withrevolving lines. The Palace of the Fairy, which with itsfine colour scheme of yellow and red, and a black and goldprofile flight of steps, against which the coloured figuresmoved, made the Haymarket scene insipid by comparison.It was a favourite idea of the decorator to move his figuresagainst a black and gold background. A similar attempt toget rhythm was also discernible in the fretted and swayingtowering columns of the very imaginative Kingdom of theFuture, where also an interesting mystical effect was obtainedby the use of a gauze lowered on the footlights. This scene, Text Appearing After Image: COSTUME FOR LE CHAGRIN DANS LE PALAIS UE HAN BY RENfcl By courtesy of ^ LAri Dicoratif. PIOT. (Theatre df.s Arts.) THE NEW SPIRIT IN PARIS 51 with its air of glittering mystery, its curving vaults, itswonderful suggestions of space and infinity, was exquisite.The balancing of colour was not so successful. Apparently thedecorator occasionally misses colour. For this reason a greatdeal of the interest of a very wonderful scene was lost.Devant le Rideau, as it is called, was a magnificent flatcomposition on a backcloth, consisting of a simple outlinedrawing of a castle with a vast flight of steps. On eitherside of the pale bluish stonework was a large, flat, wash-greensky, with parallel arms of crimson gold to relieve it. Placedon the lowest step of the castle were a number of figuresdressed in colour. But the colours were not pure, and didnot balance the rest of the composition. The same fault wasnoticeable in all the colour arrangements. One colour, red,alone stood out clear and full. Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.

Crédit : Internet Archive Book Images

2023-05-01

Sous licence Creative Commons BY-SA 4.0

Théâtre des Arts , actuellement théatre Hébertot à Paris 17e Arrondissement

English: Costume for Le Chagrin dans le palais de han by René Piot Identifier: cu31924027208184 (find matches) Title: The new spirit in drama & art Year: 1912 (1910s) Authors: Carter, Huntly Subjects: TheaterImpressionism (Art) Publisher: London, F. Palmer Contributing Library: Cornell University Library Digitizing Sponsor: MSN View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: d, the window balancingthe fireplace, the furniture, etc. Even the grains of woodworkcontributed to the wonderful sense of movement. The lightingwas cleverly worked from the centre of the stage. Indeed,the lighting effects throughout were extremely ingenious,though ruined by obsolete contrivances. Rhythm andvibrating atmosphere were very cleverly got in the secondscene by means of a vast golden backcloth fretted withrevolving lines. The Palace of the Fairy, which with itsfine colour scheme of yellow and red, and a black and goldprofile flight of steps, against which the coloured figuresmoved, made the Haymarket scene insipid by comparison,It was a favourite idea of the decorator to move his figuresagainst a black and gold background. A similar attempt toget rhythm was also discernible in the fretted and swayingtowering columns of the very imaginative Kingdom of theFuture, where also an interesting mystical effect was obtainedby the use of a gauze lowered on the footlights. This scene, Text Appearing After Image: COSTUME FOR LE CHAGRIN DANS LE PALAIS DE HAN BY RENE PIOT. (Th4Atre des Arts.)By courtesy of ^^ VArt Dlcoratif THE NEW SPIRIT IN PARIS 51 with its air of glittering mystery, its curving vaults, itswonderful suggestions of space and infinity, was exquisite.The balancing of colour was not so successful. Apparently thedecorator occasionally misses colour. For this reason a greatdeal of the interest of a very wonderful scene was lost.Devant le Rideau, as it is called, was a magnificent flatcomposition on a backcloth, consisting of a simple outlinedrawing of a castle with a vast flight of steps. On eitherside of the pale bluish stonework was a large, flat, wash-greensky, with parallel arms of crimson gold to relieve it. Placedon the lowest step of the castle were a number of figuresdressed in colour. But the colours were not pure, and didnot balance the rest of the composition. The same fault wasnoticeable in all the colour arrangements. One colour, red,alone stood out clear and full. It k Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.

Crédit : Internet Archive Book Images

2023-05-01

Sous licence Creative Commons BY-SA 4.0