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Crédit photo : Yfig - Sous licence Creative Commons
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Monument Historique
Adresse renseignée dans la base Mérimée :
rue Rufflet
22000 Saint-Brieuc - France
Code Insee de la commune : 22278
Côtes d'Armor [22] - Saint Brieuc - Bretagne
Adresse approximative issue des coordonnées GPS (latitude et longitude) :
8 Rue Ruffelet 22000 Saint-Brieuc
Eléments protégés :
Fontaine Saint-Brieuc (ou Notre-Dame) (cad. AV 389) : classement par arrêté du 15 septembre 1928
Historique :
Petit édicule abritant une fontaine et un oratoire, bâti au XVe siècle sur l'emplacement, selon la tradition, où Saint-Brieuc éleva son premier oratoire en fondant la cité. Par sa disposition, l'ouvrage ressemble à un porche d'entrée d'église. D'un côté, il est adossé à une chapelle reconstruite au XIXe siècle et, sur les trois autres faces, il est ouvert par des arcatures moulurées et ornées de sculptures. Sur les angles se trouvent des contreforts surmontés de pinacles. La couverture est en pierre.
Périodes de construction :
XVe siècle
Propriété de la commune
Ouvert ou fermé à la visite, location de salle, chambres d'hôtes ?
Français : Fronton
Fontaine St-Brieuc.
French architectural photographer
French architectural photographer
French art historian and archaeologist
French photographer, porcelain painter, chemist and administrator
French photographer, porcelain painter, chemist and administrator
French photographer, porcelain painter, chemist and administrator
In the early 1850s, Robert made a series of photographs that would be copied in lithography by Emile van Marcke, an accomplished artist who worked at the Sèvres factory with Robert at this time. Robert’s photographic journey captured seven sites—all featuring medieval architecture—in a small section along the northern coast of Brittany. For this picturesque view, he included the entire building, a small 15th-century Gothic pavilion erected over the fountain of Notre-Dame of Saint-Brieuc and whose square façade was positioned on a slight diagonal. Robert provided a sense of place by including a portion of the 19th-century chapel behind it, as well as flanking trees and a path leading out of the composition. For this reason, he may have also added a seated woman, dressed in traditional Breton costume, under the frontal arch. Due to the required length of exposure, the movement of the trees was recorded which, along with broad areas of bright light and dark shadows, provides a strong sense of atmosphere.
In the early 1850s, Robert made a series of photographs that would be copied in lithography by Emile van Marcke, an accomplished artist who worked at the Sèvres factory with Robert at this time. Robert’s photographic journey captured seven sites—all featuring medieval architecture—in a small section along the northern coast of Brittany. For this picturesque view, he included the entire building, a small 15th-century Gothic pavilion erected over the fountain of Notre-Dame of Saint-Brieuc and whose square façade was positioned on a slight diagonal. Robert provided a sense of place by including a portion of the 19th-century chapel behind it, as well as flanking trees and a path leading out of the composition. For this reason, he may have also added a seated woman, dressed in traditional Breton costume, under the frontal arch. Due to the required length of exposure, the movement of the trees was recorded which, along with broad areas of bright light and dark shadows, provides a strong sense of atmosphere.
Fiche Mérimée : PA00089584
Dernière mise à jour de la fiche Monumentum : 2026-06-07
Consultez le programme des Journées du Patrimoine pour le Monument Historique Fontaine Saint-Brieuc, ou Notre-Dame situé à Saint-Brieuc en consultant le programme officiel des JEP 2026.